I am thrilled to have best selling author, JAMES SCOTT BELL, on today.
Jim is the bestselling author of Deceived, Try Dying, Watch Your Back and many other thrillers. Under the pen name K. Bennett, he is also the author of the Mallory Caine zombie legal thriller series, which begins with Pay Me in Flesh. Jim served as fiction columnist for Writer’s Digest magazine, to which he frequently contributes, and has written three bestselling craft books for Writers Digest, including the #1 bestseller for writers, Plot & Structure.
Jim talks today about killing our fear. You can also catch him on The Kill Zone where he blogs with other top thriller and mystery authors.
Write What You Fear, and the Death of Fear is Certain
By JAMES SCOTT BELL
I don’t think there’s a writer worth his or her salt who doesn’t, at least occasionally, suffer from some doubt or even fear over their writing. Indeed, if there isn’t any hint of those two emotions from time to time, I’d venture to say the writer doesn’t have sights set high enough. Such a writer is staying in a safe zone, where precious little that is original is produced.
Dick Simon (of Simon & Schuster) once said, “All writers are scared to death. Some simply hide it better than others.”
Why should that be? Even after one has reached the hallowed halls of publication? Even while in the midst of what might termed a career?
Because there is always lurking the idea that the rug may be snatched away. That some little dog will pull aside the curtain and reveal you there, a fraud after all. Even the top writers in the game get this feeling. No less a luminary than Stephen King cops to it.
Another reason excellent writers experience doubt is, ironically, excellence itself. Because these authors keep setting their standards higher, book after book, and know more about what premier-pharmacy.com/product/xanax/ they do each pharmacy-no-rx.net/amoxicillin_generic.html time out. That has them wondering if they can make it over the bar they have set. Many famous writers, unable to deal with this pressure, have gone into the bar itself, and stayed late.
Jack Bickham, a novelist who was even better known for his books on the craft, put it this way:
“All of us are scared: of looking dumb, of running out of ideas, of never selling our copy, of not getting noticed. We fiction writers make a business of being scared, and not just of looking dumb. Some of these fears may never go away, and we may just have to learn to live with them.”
Yes, you learn to live with them, but how? The most important way is simply to pound away at the keyboard.
As Dennis Palumbo, author of Writing from the Inside Out, put it, “Every hour you spend writing is an hour not spent fretting about your writing.”
If a writer were to tell me he never has doubts, that he’s just cocksure he’s the Cheez-Wiz of literature, I know I will not want to read his work. That’s why I think doubts are a good sign. They show that you care about your writing and that you’re not trying to skate along with an overinflated view of yourself.
The trick is not to let them keep you from producing the words.
Truly memorable writing comes when you take a risk. And risk always involves an element of fear. Take a chance. Try to make something happen, and if you fail, fix it. Go to the places that are scary for you. This is where some of your best material is going to be. It is those authors who carry this off who become popular.
To paraphrase Emerson, Write what you fear, and the death of fear is certain. You will become stronger as a writer, and that’s the ultimate goal, isn’t it?